Tall wood column or totem carved with abstract geometric shapes and three dominate archaic faces.

Tall wood column or totem carved with abstract forms suggesting symbols also many small round forms animal and fruit like. Back very simple overlapping curved planes.

Tall abstract composition basically rectangular in section. Carved on front, rear and one side, other side left raw carving on front a series of 4 rounded organic forms stacked one on top of the other - continued on side. Rear more amorphous with forms intermingling. Shellac finish.

Tall abstract figure, standing woman, lyric serpentine line describes hip and skirt. Same for shoulders. Head is described by swelling concave planes. Knobs form an elaborate coiffeur. Integral with small square base. Oil finish.

Large bulky dark horizontal abstract composition. Shape of original log evident carving a series of flat angular planes. Marks of chain saw evident. Stained dark walnut, shellac finish.

Walnut slab mounted upright on 2 wood cross pieces. Slab spreads upward - wing like. Surface is carved very simply. "Front" with one bowl like circle "rear" with two circles with raised centers.

Frontal piece relief carving of woman carved into upright slab mounted on two steel legs, entire surface carved women is broad hipped and large breasted with raised arms. Right arm is well defined and left less so. Shellac finish.

Frontal piece, relief carving in upright slab mounted on two steel legs. All surfaces carved wide hipped large breasted woman without head arms undefined similar to 118 but more abstract. Shellac finish.

Abstracted walking woman with child in papoose. Heads composed of blocks, mounted on a narrow wood base. Olive Wood. A mold has been made of this piece.

Abstract composition, massive form split at top. One side features a large concave disk. The opposite has a complicated X form. Carving is uniform mounted on a dark wood rectangular base. Dark oil finish.

Abstract composition, tall simple carved yellowish wood trunk with four dark wood round knobs attached to the outside trunk is hollowed in parts and seems to be curling around itself. Very organic plant like. Mounted on a 2 step base, bottom step rectangular, top step oval. Shellac finish.

Abstract composition, group of six tall narrow square tower like forms culminating with variously carved tops. Four have castle like crenellations around more organic central projections, two are without crenelation. All are mounted on a large box base.

Abstract composition, very lyric organic form rounded serpentine lines. Wide from base to midpoint - then from one side springs a rising turning twisting anthropomorphic form. Shellac and wax on Bass wood. Yellowish wood with very subtle grain.

Abstract branching form - cactus like shape. Four branches one low and thumb shaped. three smaller at top. Yellowish wood with pronounced grain. Shellac and wax.

Abstract composition, reddish heart wood with blond sap wood, many knots vaguely anthropomorphic with locked hip and small rounded belly.

Abstract composition, yellowish wood with pronounced grain lyric form with three cantaloupe sized knobs. Seems to me like figures wrapped in a cloak. Shellac and wax.

Abstract composition, tapering squarish column suspends three horizontal rings still with bark, column supports a wide head with a dominate square window piercing through.

Abstract composition tall and narrow plant/cactus like appearance anthropomorphic. Body stands on a small square base. Starts with two opposed hip like curves then a tall narrow expanding body to flower like shoulder, head is large, organic and splits in two at very top. Mounted on a separate square wood sub-base. Shellac and wax.

Simple abstraction square totem on a tapering square base. Totem is black ebony carving is broken into four sections each with simple geometric design top is flat. Ebony - Elm base.

Wall Piece, wooden relief of a face, two open eyes, long curving nose with deep cut on one side. Large mouth serpentine line defines chin. Two sausage like forms describe hair or headdress. Several large knobs or warts scatter about the face. Shown Gallery on RIM. Oil Finish MASKS Gifted to Veronia Hitzberger.

Wall piece, relief carving one eyed face with narrow split nose, small mouth geometric hair - do attached square horizontal bar on top.

Wall Piece, relief carving, very fat-cheek face with long narrow nose, small circular eyes. Small mouth and chin. Small forehead with crenellations describing hair and flat top. Abstract figure attached to top.

Wall Piece, relief carving of face with large open arch like mouth - no chin small disk eyes. In cut nose - curving spike attached to head. Oil finish

Wall piece, relief carving of face with simple rectangular eyes, straight horizontal eyebrows long straight narrow nose - no mouth, block ears, high forehead two horns attached at top. Oil finish.

Abstract form standing on two wide feet. Form is vaguely figurative with two major forms. Lower form is wide hipped bell shaped upper form rises and splits into two vertical arms space between arms contains a cedar egg. A circle is incised into the center front. Shellac finish some brown stain (Bay with Cedar egg).